CAMERA GEAR ISRAL Archives - Utopia

EOS C80

Nadav Leib — Thu, 09 Apr 2026 07:50:18 +0000

6K Full-Frame Cinema Capture in a Mirrorless Form

Offering exceptional 6K30 full-frame capture in a compact form, the Canon EOS C80 6K Full-Frame Cinema Camera melds the EOS C400’s CMOS sensor with a lightweight design similar to the EOS C70. Ideal for fast-paced capture and solo operators, this digital camera features triple ISO bases of 800, 3200, and 12,800 in log/raw, upgraded Dual Pixel CMOS AF II autofocus, and simultaneous 12G-SDI and HDMI video output. The EOS C80’s RF mount provides compatibility with fast, reliable Canon RF lenses, and a motorized ND filter wheel enables on-the-fly exposure tweaking.

6K Full-Frame Sensor

The 6K full-frame CMOS sensor at the heart of the C80 camera enables it to offer exceptionally low noise, increased sensitivity efficiency, and better 4K imagery via 6K oversampling. All this is possible thanks to the improved light capture technology of the back-illuminated, stacked CMOS sensor.

Multiple Recording Formats

The C80’s multiple recording formats include up to full-frame 6K30 Canon Cinema RAW Light LT and cropped S35 up to 4K30 in RAW ST and 4K60 in RAW LT.
Oversampled 4K 120p or 2K 180p with maximized detail is available, all with 4:2:2 10-bit color.
Slow and fast motion can be captured at rates up to UHD 4K120 in HEVC and AVC codecs.
Make your editing process easier using XF-AVC S and XF-HEVC S codecs, featuring an easier naming system and folder structure, as well as metadata preservation, all within the established MP4 format.

RF Lens Mount

A built-in RF lens mount lends the EOS C80 compatibility with Canon’s line of fast, reliable RF-mount lenses with advanced coatings and image stabilization.
With a short flange distance, the RF mount helps to noticeably reduce the camera body’s depth, resulting in a more compact design.

Optional PL-RF Adapter

A new PL-RF lens mount adapter enables you to access a wide variety of ARRI PL-mount cine-style lenses.
This adapter features Cooke/i metadata compatibility and locking plates for a secure fit.

Multiple Interfaces Including 12G-SDI

Video outputs include full-size HDMI and 12G-SDI BNC outputs that can be used simultaneously for feeding an onboard monitor, video transmitter, or EVF.
Use the USB-C port for UVC video output or to connect to a smartphone or the Canon GP-E2 GPS receiver.
A BNC connector enables users to input and output timecode, making syncing on multicamera shoots easier.
Note that the BNC port can output either SDI video or timecode but not both simultaneously.

Dual-Pixel CMOS Autofocus

Improved Dual-Pixel CMOS AF Technology uses each pixel on approximately 100% of the CMOS sensor for focus detection and image information.
The back-illuminated stacked sensor’s excellent light capture widens the sensor area, which can be used for AF.
The EOS C80 also offers the EOS iTR AF X autofocus function featuring an algorithm developed using deep-learning technology to detect the human form.

Mini-XLR Audio Inputs

Two mini-XLR inputs with phantom power and manual control dials provide professional audio recording options.
The EOS C80 supports 4-channel audio using dual mini-XLR ports, an internal stereo mic, and a 3.5mm mic input.

Built-In ND Filters

Designed for the EOS C80 RF mount’s short flange distance, a thin motorized ND filter unit enables users to quickly select up to 10 stops of neutral density.
ND button controls on the right side of the camera enable operators to quickly adjust exposure while maintaining their shot’s depth of field.

Log2/3 and 3D LUT Support

For greater post-production flexibility, the C80 offers Canon’s Log 2 and Log 3 gamma modes, which provide an expanded dynamic range with excellent tonal reproduction for highlights and in low-light areas of your images. The EOS C80 also supports 3D LUTs, so you can get the most accurate color reproduction on both the LCD and your external viewing monitors.

Compact Design with Tilting LCD

The compact EOS C80 features a lightweight design with a built-in ergonomic grip and a joystick control.
It has a Multi-Accessory hot shoe on top and comes with a detachable handle and a mic holder.
The LCD screen features a reinforced hinge and built-in controls like focus peaking, waveforms, and more.

Dual SD Card Slots / Multiple Recording Options

Dual SD card slots on the EOS C80 offer simultaneous, relay, and proxy video recording. The EOS C80 can also capture JPEG still photos.

Ethernet and Wi-Fi Control

Use the Ethernet port and built-in Wi-Fi with an optional Canon RC-IP1000 or RC-IP100 unit to access the XC protocol-base remote control.
Compatibility with the Canon Multicamera Control app for iPhone provides monitoring and start/stop, focus, iris, zoom, ND filter, ISO, shutter, white balance, custom picture control, and more.

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EOS C400 6K

SHAY — Sun, 06 Jul 2025 09:54:48 +0000

Creators looking to capture a rich cine look while accessing versatile imaging tools can now turn to Canon‘s RF-mount EOS C400 6K Full-Frame Digital Cinema Camera. Based around a new 6K full-frame, back-illuminated CMOS sensor, the C400 features three ISO bases of 800, 3200, and 12,800, covering a truly wide range of light levels. This digital cinema camera blends high-resolution imagery with both cine-style and broadcast features like an optional Cooke/i PL mount, return video, and both Super35 and Super16 modes with solo shooter-friendly functions such as Dual-Pixel CMOS AF II, internal ND filters, and a compact, lightweight form.

RF35L EOS C400 – Making of Self Love Video

6K Full-Frame Sensor

Canon has placed its new 6K CMOS sensor at the heart of the C400 camera, enabling it to offer exceptionally low noise, increased sensitivity efficiency, and better 4K imagery via 6K oversampling. This is all made possible thanks to the improved light capture technology of the back-illuminated, stacked CMOS sensor.

Triple-Base ISOs

The same 6K CMOS sensor also provides the choice of a trio of ISO speeds: 800, 3200, and 12,800, so you can capture both the brilliance of settings like Times Square or a full-sun landscape and the nuances of available light scenes like an interior location or a nighttime city skyline.

Multiple Recording Formats

Different projects demand specific recording formats, and the C400 has you covered with up to 6K60 Cinema RAW and HQ, ST, and LT Cinema RAW Light 12-bit modes. Oversampled 4K with amazing detail is available in 10-bit 4:2:2 with frame rates up to 120p, all without cropping the image on the sensor. Slow- and fast-motion can be captured at rates up to UHD 4K120 and 2K180.
Canon has made your editing process easier with two new codecs: XF-AVC S and XF-HEVC S, both featuring an easier naming system and folder structure and metadata preservation, all within the established MP4 format.

Optional PL-Mount Adapter

Widen your lens choices to include a range of beautiful pro cinema “glass” using the separately available PL-RF adapter for the C400. This adapter includes side lock plates for a secure fit and transfers Cooke/i metadata for VF/X and other post-production uses.

Dual Media Slots

Fans of proxy recordings will appreciate the CFexpress Type-B and SD card slots on the C400, which enable sub-recording and proxy capture using the SD card slot while simultaneously recording up to raw using a CFexpress card.

Mechanical ND Filters

Whether you’re shooting a cine-style feature or grabbing run-and-gun footage for a documentary or event coverage, you’ll appreciate the ability to quickly dial in up to 10 stops of ND filtration with the C400. This near-instant exposure adjustment enables you to maintain your chosen depth of field since it negates the need to stop down on your lens.

Compact, Lightweight Body

Canon’s RF lens mount features a short flange back, reducing its lens mount area and overall size, which makes it the ideal camera for gimbal, handheld, or drone capture.

Improved Autofocus Function

For those moments or whole shoots where you’re not assisted by a focus puller, the C400 offers Canon’s dual-pixel autofocus function, which has been improved by the wider area of the back-illuminated CMOS sensor, which is available for autofocus. Intelligent tracking lets you follow the eyes, face, head, and body areas of a subject with increased accuracy. For nature documentary shooters, the C400 provides the ability to detect the eyes, face, or body of select animals without being affected by their size or facial orientation.

Production and Broadcast Features

The versatile C400 incorporates a variety of interfaces that make it suitable for both film- and broadcast-style productions. These ports include 12G-SDI, 3G-SDI, and HDMI video outputs, dual mini-XLR audio inputs, timecode, genlock, and return video DIN connectors, and a 12-pin lens port.
An automatic clear-scan mode for the shutter detects your light source’s frequency, helping to reduce or eliminate the flickering sometimes found in LED walls.

LCD, Handle, and Grip

Ergonomic improvements featured by the C400 include a new touchscreen LCD, grip, and battery. The LCD mount has both angle and length adjustments for optimal positioning of the LCD whether you’re shooting handheld, shoulder-mounted, or on a tripod. The ergonomic, articulated handgrip features a multifunction shoe, three assignable buttons, and captive screws that won’t get lost when you’re mounting or detaching the grip.

Ethernet/Wi-Fi Control and IP Streaming

Use the C400’s Ethernet port and Canon’s IP-based XC protocol to add RC-IP1000, RC-IP100, or third-party remote-control shading to your broadcast-style shoot. The Canon RCCA (Remote Control Camera Application) is compatible with the C400, enabling control of camera settings and multicamera control. The C400 also offers IP streaming using the SRT protocol.

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Epic 135mm T2 Macro 1.33x Full-Frame Anamorphic Lens PL Mount

SHAY — Mon, 19 May 2025 08:21:43 +0000

Capture a widescreen look using your full-frame camera and the ARRI PL-mount EPIC 135mm T2.4 1.33x Anamorphic Lens from Viltrox. This moon-white lens produces a de-squeezed 2.35:1 aspect ratio and features minimal breathing, oval bokeh, blue streaks, and a retro look with consistent tones from edge to edge. Like the other lenses in the EPIC series, this lens has consistent gear placement, a common center of gravity, a waterproof front-element coating, and a 95mm front outside diameter compatible with many pro matte boxes and adapter rings.

Full-Frame Coverage

This moon-white lens provides consistent full-frame coverage from edge to edge.

Anamorphic Design

The 135mm anamorphic prime offers a delicate, retro look with pleasing skin tones.
Eight aperture blades produce soft, natural-looking bokeh and elliptical light spots.
Creates horizontal blue streak effects.

2.35 Aspect Ratio

Creates a 2.35:1 aspect ratio that is ideal for widescreen coverage.

Fast T2.4 Aperture

The relatively fast T2.4 aperture enables you to create eye-catching shallow depth-of-field effects.

Coatings

A multilayer nanocoating and a waterproof coating protect the front element.

Uniform Design

The consistent character, identical gear positions, and common center of gravity enable you to easily switch between the lenses in this anamorphic series.

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Epic 65mm T2 Macro 1.33x Full-Frame Anamorphic Lens PL Mount

SHAY — Mon, 19 May 2025 08:05:04 +0000

Capture a close-up, widescreen look using your full-frame camera and the ARRI PL-mount EPIC 65mm T2.8 Macro 1.33x Anamorphic Lens from Viltrox. This moon-white macro lens produces a de-squeezed 2.35:1 aspect ratio and features excellent close focusing. It has minimal breathing and creates oval bokeh, blue streaks, and a retro look with consistent tones from edge to edge. Like the other lenses in the EPIC series, this lens has consistent gear placement, a common center of gravity, a waterproof front-element coating, and a 95mm front outside diameter compatible with many pro matte boxes and adapter rings.

Full-Frame Coverage

This moon-white lens provides consistent full-frame coverage from edge to edge.

Anamorphic Design

This 65mm anamorphic prime offers a delicate, retro look with pleasing skin tones.
Eight aperture blades produce soft, natural-looking bokeh and elliptical light spots.
Creates horizontal blue streak effects.

Macro Lens

Unlike many anamorphic lenses, this 65mm macro prime provides excellent close focus for capturing arresting, detailed shots.

2.35 Aspect Ratio

Creates a 2.35:1 aspect ratio that is ideal for widescreen coverage.

Fast T2.8 Aperture

The relatively fast T2.8 aperture enables you to create eye-catching shallow depth of field effects.

Coatings

A multilayer nano coating and a waterproof coating protect the front element.

Uniform Design

The consistent character, identical gear positions, and common center of gravity enable you to easily switch between the lenses in this anamorphic series.

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Pro II Spherical VR 360 8K Camera with FarSight Monitoring

01675619232amit — Thu, 30 Jan 2025 10:59:11 +0000

Insta360 Pro II Overview

The Insta360 Pro II VR Camera with FarSight bundle from Insta360 captures 360 spherical VR videos and stills in configurations up to 8K 3D. This successor to the Insta360 Pro can record immersive 8K video while streaming in 4K and includes the FarSight remote monitoring system. Insta360 Pro II features include precise 9-axis FlowState stabilization, CrystalView monitoring on standard devices, automatic proxy file creation, and stitch-free editing in Adobe Premiere Pro.

FarSight Monitoring System

The FarSight 360° long-range monitoring system includes a transmitter and receiver for live monitoring of your capture from up to one mile away ground-to-ground or two miles ground-to-air. Wi-Fi preview is available at 30 fps up to 15′ without using FarSight. The CrystalView function converts 8K VR footage for viewing on popular 4K VR headsets and standard smartphones or monitors, expanding your potential audience.

Intuitive Processing & Recording

Save time and processing with the Insta360 Pro II’s ability to create proxy files for instant stitching and real-time editing in Adobe Premiere Pro. When you have your final cut, the Insta360 algorithm stitches together a full-resolution version. Each camera records to a microSD card while proxy files and stabilization data are captured to a full SD card. The camera features bit rates up to 120 Mb/s and records audio via four built-in mics and a 3.5mm mic input.

High-Quality Images

The Insta360 Pro II’s optical features include six selectable 200° fisheye lenses, adjustable shutter speed, and an ISO range of 100-6400. An HDR (high dynamic range) function provides natural-looking lighting even in unevenly lit settings. High-speed frame rates are available up to 120 fps, and the still mode includes raw, JPEG, burst, and time-lapse options. The Pro II captures 8K 360 videos and stills in 3D up to 30 fps and 2D up to 60 fps. Livestream 4K video while recording 8K for later use.

9-Axis Image Stabilization

Image stabilization is a vital VR component, and the Insta360 Pro II combines a 9-axis gyro with the downloadable Insta360 software for precise, customizable stabilization. A built-in GPS module provides data for Google Maps Street View and other precision-mapping applications. The Insta360 Pro II features a compact aluminum frame, two USB ports, and a hot-swap battery dock.

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SP3 Full-Frame 6-Lens Prime Set

01675619232amit — Tue, 24 Dec 2024 10:55:10 +0000

Cooke SP3 Full Frame Cine 6-Lens Kit Overview

Enhance your mirrorless camera capture with outstanding optical performance using the SP3 T2.4 Full-Frame Prime Lens Kit from Cooke. Based on the storied Speed Panchro lenses, the SP3 primes are optically and mechanically optimized for full-frame mirrorless cameras. These tough yet lightweight and compact lenses feature focus and iris mechanics that are aligned across the series, enabling quick lens changes when using matte boxes and FIZ (focus/iris/zoom) systems. Each lens in the series matches the Cooke Panchro/i Classic series, enabling you to use the SP3 primes as a “B” or “C” camera drone or gimbal solution that complements your “A” camera footage.

The Cooke Look

The SP3 primes are closely based on the classic Cooke Look popularized in Hollywood films.
Outstanding definition and resolution are complemented by a classic fall-off towards the frame edge.
Proprietary Cooke optical coatings ensure flare control and color matching across the series.
Images are rendered with greater realism thanks to heightened dimensionality and contrast performance.
Facial images feature optimal skin tone and character.

Consistent T2.4 Aperture

Designed with a fast T2.4 aperture that is consistent across the series.
The 9-blade aperture features smooth and accurate adjustments with finer control towards the wider end.

Interchangeable Mount

This Sony E-mount lens features an interchangeable mount that can be changed by the user.
Available mounts will include Leica L option.

Focus Control

Non-linear focus scales provide more exact control as you approach minimum focus.
Industry-standard 0.8-MOD focus and iris gears are compatible with third-party FIZ systems.
Focus scales are marked in both feet and meters.

Filter Support

A common 64mm front diameter and M58 filter size across the series (except the 100mm) enables quick lens changes when working with matte boxes and adapters.
Enables you to filter the lens without adding the weight of a matte box to your drone or gimbal.

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1.33x Front Anamorphic Adapter (Amber)

01675619232amit — Thu, 19 Dec 2024 15:08:45 +0000

Venus Optics VEAPT133 Overview

The front-mounted 1.33x Front Anamorphic Adapter from Laowa enables you to convert your spherical lens to a 1.33x anamorphic squeeze with amber flare effects. Offering coverage for up to full-frame sensors, this adapter mounts on lenses with a front 77mm thread and can be adapted using the included 55, 62, and 77mm rings. It has a minimum close focus of 28.7″ and can accept 86mm threaded filters. When used with Laowa Nanomorph lenses, it produces a 2x anamorphic squeeze.

Compatibility

Laowa Nanomorph:

27mm Micro Four Thirds
35mm Super35
50mm Super35
65mm Super35/full-frame
80mm Super35/full-frame
Note that a step-up ring is not required for PL/EF Nanomorph lenses
Laowa Ranger Cine Zoom from 48-100mm
Similar lenses with a 55-86mm front thread

Amber Flares

This adapter produces amber horizontal flares, a hallmark of the anamorphic look.

Minimal Light Loss

The 1.33x front anamorphic adapter is designed to produce optimal image quality with minimal loss of aperture stops.

Button-Controlled Rotating Element

Controlled by a push button, the rotating external ring enables you to position the lens element for correct compression and horizontal flare alignment.

28.7″ Close Focus

This adapter enables you to focus down to a minimum of 28.7″.

Front Filter Thread

Use the front thread to mount an 86mm filter.

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Remus Full-Frame 1.5x Anamorphic Full Lens Set PL-Mount

01675619232amit — Tue, 03 Dec 2024 09:35:35 +0000

BLAZAR LENS Remus Anamorphic 5-Lens Kit Overview

Capture a classic widescreen look using the Remus 45/65/100mm T2.0 Full-Frame 1.5x Anamorphic 3-Lens Kit from BLAZAR LENS. This kit includes the Remus 33,45, 65, and 100mm T2.0 Full-Frame 1.5x Anamorphic lenses that feature ARRI PL mounts, and they come in a custom case to store and protect the three lenses.

Each cine-style Remus prime lens supports full-frame capture and 3:2 full-frame anamorphic de-squeeze, and each has a T2.0 maximum aperture, 0.8 MOD focus and aperture gears, an 80mm outer front diameter, and a 77mm filter thread. They add a retro cinematic look to your footage with enhanced oval bokeh and silver flares.

BLAZAR LENS Remus 33mm T1.8 1.5x Full-Frame Anamorphic Lens (ARRI PL, Silver Flare)

The Remus 33mm T1.8 1.5x Full-Frame Anamorphic Lens from BLAZAR LENS is an ARRI PL-mount lens that captures a classic widescreen retro look with subtle anamorphic silver flares. The compact and lightweight cine-style lens offers 3:2 full-frame coverage and a fast T1.8 aperture that enables users to capture images with a pleasing aesthetic focus falloff and enhanced oval bokeh. The lens has an 80mm front outside diameter and a 77mm filter thread and offers 150° focus rotation for accurate focus pulls.

Compact Lens, Wide Coverage

Remus 1.5x lenses are lightweight and compact, and the 33mm model weighs only 1.94 lb.

Impressive Anamorphic Look

This 33mm lens produces subtle silver flares for an impressive retro anamorphic look, adding an enhanced, distinctive oval bokeh to background highlights in your frame.

Sculpting with Depth

Featuring a T1.8 aperture, the Remus offers an aesthetic focus falloff and elegant oval bokeh.

ARRI PL Mount

This lens comes with the ARRI PL mount, enabling you to use it with a variety of cameras.

Cine-Style Design

150° of barrel rotation enables smooth, precise focus pulls.
The 80mm front outside diameter is compatible with most pro matte boxes.
A 77mm thread can be used to mount a filter on the front of the lens.

BLAZAR LENS Remus 45mm T2.0 1.5x Anamorphic Lens (ARRI PL, Silver Flare)

Capture a classic widescreen look using the ARRI PL-mount Remus 45mm T2.0 1.5x Anamorphic Lens from BLAZAR LENS. This cine-style prime lens supports full-frame capture and in 3:2 full-frame anamorphic de-squeezed image. Use the Remus 1.5x Anamorphic lens series to add a retro cinematic look with enhanced oval bokeh and silver flares to your footage.

The T2.0 maximum aperture enables you to capture shallow depth of field looks that help emphasize and separate your subject from the background. Cine-style design features include 0.8 MOD focus and aperture gears for use with pro follow focus systems, a 1/4″-20 lens support thread, an 80mm front diameter, a 77mm filter thread, and a barrel with 150° of rotation for precise focus pulls.

Full-Frame Coverage

The Remus 1.5x series has a constant 1.5x squeeze factor and supports 3:2 full-frame shooting. The lenses cover a 36 x 24mm image circle.

Tiny Lens, Wide Coverage

Remus 1.5x lenses are incredibly lightweight and compact, and the 45mm model weighs only 1.6 lb. The Remus lenses can easily be used with the DJI Ronin 4D, making them ideal for any cinematic video production.

Impressive Anamorphic Look

The lens produces silver flares for an impressive retro anamorphic look, adding an enhanced, distinctive oval bokeh to background highlights in your frame. Use the unique coating options to suit your vibe—opt for warm, sunny flares or cool, contemporary blue streaks.

Sculpting with Depth

Featuring a T2.0 aperture, the Remus offers an aesthetic focus falloff and elegant oval bokeh.

ARRI PL Mount

This lens comes with the ARRI PL mount, enabling you to use it with a variety of cameras.

Cine-Style Design

0.8 MOD focus and iris gears provide compatibility with pro lens motors and follow focus units.
150° of barrel rotation enables smooth, precise focus pulls.
A 1/4″-20 female thread enables the use of a lens support.
The 80mm front diameter is compatible with most pro matte boxes.
A 77mm thread can be used to mount a filter on the front of the lens.

BLAZAR LENS Remus 50mm T2.0 1.5x Anamorphic Lens (ARRI PL, Silver Flare)

Capture a classic widescreen look using the ARRI PL-mount Remus 50mm T2.0 Full Frame 1.5x Anamorphic Lens from BLAZAR LENS. This cine-style prime lens supports full-frame capture and in 3:2 full-frame anamorphic de-squeezed image. Use the Remus 1.5x Anamorphic lens series to add a retro cinematic look with enhanced oval bokeh and silver flares to your footage.The T2.0 maximum aperture enables you to capture shallow depth of field looks that help emphasize and separate your subject from the background. Cine-style design features include 0.8 MOD focus and aperture gears for use with pro follow focus systems, a 1/4″-20 lens support thread, an 80mm front diameter, a 77mm filter thread, and a barrel with 150° of rotation for precise focus pulls.

Full-Frame Coverage

The Remus 1.5x series has a constant 1.5x squeeze factor and supports 3:2 full-frame shooting. The lenses cover a 36 x 24mm image circle.

Interchangeable ARRI PL Mount

Tiny Lens, Wide Coverage

Remus 1.5x lenses are incredibly lightweight and compact, and the 50mm model weighs only 1.57 lb. The Remus lenses can easily be used with the DJI Ronin 4D, making them ideal for any cinematic video production.

Impressive Anamorphic Look

Sculpting with Depth

Featuring a T2.0 aperture, the Remus offers an aesthetic focus falloff and elegant oval bokeh.

Cine-Style Design

0.8 MOD focus and iris gears provide compatibility with pro lens motors and follow focus units.
150° of barrel rotation enables smooth, precise focus pulls.
A 1/4″-20 female thread enables the use of a lens support.
The 80mm front diameter is compatible with most pro matte boxes.
A 77mm thread can be used to mount a filter on the front of the lens.

BLAZAR LENS Remus 65mm T2.0 Full-Frame 1.5x Anamorphic Lens (ARRI PL, Silver Flare)

Capture a classic widescreen look using the ARRI PL-mount Remus 65mm T2.0 Full Frame 1.5x Anamorphic Lens from BLAZAR LENS. This cine-style prime lens supports full-frame capture and in 3:2 full-frame anamorphic de-squeezed image. Use the Remus 1.5x Anamorphic lens series to add a retro cinematic look with enhanced oval bokeh and silver flares to your footage.

Full-Frame Coverage

The Remus 1.5x series has a constant 1.5x squeeze factor and supports 3:2 full-frame shooting. The lenses cover a 36 x 24mm image circle.

Tiny Lens, Wide Coverage

Remus 1.5x lenses are incredibly lightweight and compact, and the 65mm model weighs only 1.72 lb. The Remus lenses can easily be used with the DJI Ronin 4D, making them ideal for any cinematic video production.

Impressive Anamorphic Look

Sculpting with Depth

Featuring a T2.0 aperture, the Remus offers an aesthetic focus falloff and elegant oval bokeh.

ARRI PL Mount

This lens comes with the ARRI PL mount, enabling you to use it with a variety of cameras.

Cine-Style Design

0.8 MOD focus and iris gears provide compatibility with pro lens motors and follow focus units.
150° of barrel rotation enables smooth, precise focus pulls.
A 1/4″-20 female thread enables the use of a lens support.
The 80mm front diameter is compatible with most pro matte boxes.
A 77mm thread can be used to mount a filter on the front of the lens.

BLAZAR LENS Remus 85mm T2.8 Full-Frame 1.5x Anamorphic Lens (ARRI PL, Silver Flare)

Capture a classic widescreen look using the ARRI PL-mount Remus 85mm T2.8 Full-Frame 1.5x Anamorphic Lens from BLAZAR LENS. This cine-style prime lens supports full-frame capture and in 3:2 full-frame anamorphic de-squeezed image. Use the Remus 1.5x Anamorphic lens series to add a retro cinematic look with enhanced oval bokeh and silver flares to your footage. The T2.8 maximum aperture enables you to capture shallow depth of field looks that help emphasize and separate your subject from the background.

Full-Frame Coverage

The Remus 1.5x series has a constant 1.5x squeeze factor and supports 3:2 full-frame shooting. The lenses cover a 36 x 24mm image circle.

Tiny Lens, Wide Coverage

Remus 1.5x lenses are incredibly lightweight and compact, and the 85mm model weighs only 1.73 lb. The Remus lenses can easily be used with the DJI Ronin 4D, making them ideal for any cinematic video production.

Impressive Anamorphic Look

The lens produces silver flares for an impressive retro anamorphic look, adding an enhanced, distinctive oval bokeh to background highlights in your frame.

Sculpting with Depth

Featuring a maximum T2.8 aperture, the Remus offers an aesthetic focus falloff and elegant oval bokeh.

Interchangeable ARRI PL Mount

This lens comes with the ARRI PL mount, enabling you to use it with a variety of cameras. The interchangeable PL mount can be swapped out with a separately available Canon EF mount.

Cine-Style Design

0.8 MOD focus and iris gears provide compatibility with pro lens motors and follow focus units.
150° of barrel rotation enables smooth, precise focus pulls.
A 1/4″-20 female thread enables the use of a lens support.
The 80mm front outside diameter is compatible with most pro matte boxes.
A 77mm thread can be used to mount a filter on the front of the lens.

BLAZAR LENS Remus 100mm T2.8 Full-Frame 1.5x Anamorphic Lens (ARRI PL, Silver Flare)

Capture a classic widescreen look using the ARRI PL-mount Remus 100mm T2.8 Full-Frame 1.5x Anamorphic Lens from BLAZAR LENS. This cine-style prime lens supports full-frame capture and in 3:2 full-frame anamorphic de-squeezed image. Use the Remus 1.5x Anamorphic lens series to add a retro cinematic look with enhanced oval bokeh and silver flares to your footage.

The T2.8 maximum aperture enables you to capture shallow depth of field looks that help emphasize and separate your subject from the background. Cine-style design features include 0.8 MOD focus and aperture gears for use with pro follow focus systems, a 1/4″-20 lens support thread, an 80mm front diameter, a 77mm filter thread, and a barrel with 150° of rotation for precise focus pulls.

Full-Frame Coverage

The Remus 1.5x series has a constant 1.5x squeeze factor and supports 3:2 full-frame shooting. The lenses cover a 36 x 24mm image circle.

Tiny Lens, Wide Coverage

Remus 1.5x lenses are incredibly lightweight and compact, and the 100mm model weighs only 1.73 lb. The Remus lenses can easily be used with the DJI Ronin 4D, making them ideal for any cinematic video production.

Impressive Anamorphic Look

Sculpting with Depth

Featuring a maximum T2.8 aperture, the Remus offers an aesthetic focus falloff and elegant oval bokeh.

ARRI PL Mount

This lens comes with the ARRI PL mount, enabling you to use it with a variety of cameras.

Cine-Style Design

0.8 MOD focus and iris gears provide compatibility with pro lens motors and follow focus units.
150° of barrel rotation enables smooth, precise focus pulls.
A 1/4″-20 female thread enables the use of a lens support.
The 80mm front diameter is compatible with most pro matte boxes.
A 77mm thread can be used to mount a filter on the front of the lens.

BLAZAR LENS Remus 125mm T4 Full-Frame 1.5x Anamorphic Lens (ARRI PL, Silver Flare)

Capture a classic widescreen look using the ARRI PL-mount Remus 125mm T4 Full-Frame 1.5x Anamorphic Lens from BLAZAR LENS. This cine-style prime lens supports full-frame capture and in 3:2 full-frame anamorphic de-squeezed image. Use the Remus 1.5x Anamorphic lens series to add a retro cinematic look with enhanced oval bokeh and silver flares to your footage.

The T4 maximum aperture enables you to capture shallow depth of field looks that help emphasize and separate your subject from the background. Cine-style design features include 0.8 MOD focus and aperture gears for use with pro follow focus systems, a 1/4″-20 lens support thread.

Full-Frame Coverage

The Remus 1.5x series has a constant 1.5x squeeze factor and supports 3:2 full-frame shooting. The lenses cover a 36 x 24mm image circle.

Tiny Lens, Wide Coverage

Remus 1.5x lenses are incredibly lightweight and compact. The Remus lenses can easily be used with the DJI Ronin 4D, making them ideal for any cinematic video production.

Impressive Anamorphic Look

Sculpting with Depth

Featuring a maximum T4 aperture, the Remus offers an aesthetic focus falloff and elegant oval bokeh.

ARRI PL Mount

This lens comes with the ARRI PL mount, enabling you to use it with a variety of cameras.

Cine-Style Design

0.8 MOD focus and iris gears provide compatibility with pro lens motors and follow focus units.
150° of barrel rotation enables smooth, precise focus pulls.
A 1/4″-20 female thread enables the use of a lens support.

The post Remus Full-Frame 1.5x Anamorphic Full Lens Set PL-Mount appeared first on Utopia.

CATO Full-Frame 2x Anamorphic 4-Lens Set PL-Mount

01675619232amit — Sun, 01 Dec 2024 13:32:49 +0000

BLAZAR LENS CATO 2x Anamorphic 4-Lens Set Overview

Capture cinematic widescreen footage with the CATO T2.0 Full-Frame 2x Anamorphic 4-Lens Set from BLAZAR LENS. The 40, 55, 85, and 125mm lenses boast T2.0 to T22 aperture ranges and 16 iris blades, with each lens supporting full-frame capture for 2x de-squeezed images with silver flaring.

BLAZAR LENS CATO 40mm T2.0 Full Frame 2x Anamorphic Lens (ARRI PL)

Capture a cinematic widescreen look using this BLAZAR LENS CATO 40mm T2.0 Full Frame 2x Anamorphic Lens with your ARRI PL mount compatible camera. This anamorphic lens supports full frame capture for a 2x de-squeezed image with silver flaring. The 16-blade aperture produces a smooth, rounded bokeh. A wide T2.0 to T22 aperture range allows for flexible depth of field adjustment within the 77° iris rotation. A 2.46′ minimum focus distance can be adjusted with the focus ring and its 210° rotation. The lens has a cine-style design with 0.8 MOD focus and aperture gears and a 95mm front diameter.

Features at a Glance

T2.0 to T22 aperture range
2x anamorphic with silver flaring
95mm front diameter, 16-blade aperture
210° focus rotation, 77° iris rotation
2.46′ minimum focus distance

BLAZAR LENS CATO 55mm T2.0 Full Frame 2x Anamorphic Lens (ARRI PL)

Capture a cinematic widescreen look using this BLAZAR LENS CATO 55mm T2.0 Full Frame 2x Anamorphic Lens with your ARRI PL mount compatible camera. This anamorphic lens supports full frame capture for a 2x de-squeezed image with silver flaring. The 16-blade aperture produces a smooth, rounded bokeh. A wide T2.0 to T22 aperture range allows for flexible depth of field adjustment within the 68.4° iris rotation. A 2.49′ minimum focus distance can be adjusted with the focus ring and its 210° rotation. The lens has a cine-style design with 0.8 MOD focus and aperture gears, 85mm front diameter, and 82mm filter thread.

Features at a Glance

T2.0 to T22 aperture range
2x anamorphic with silver flaring
85mm front diameter, 16-blade aperture
82mm filter thread
210° focus rotation, 68.4° iris rotation
2.49′ minimum focus distance

BLAZAR LENS CATO 85mm T2.8 Full Frame 2x Anamorphic Lens (ARRI PL)

Capture a cinematic widescreen look using this BLAZAR LENS CATO 85mm T2.8 Full Frame 2x Anamorphic Lens with your ARRI PL mount compatible camera. This anamorphic lens supports full frame capture for a 2x de-squeezed image with silver flaring. The 16-blade aperture produces a smooth, rounded bokeh. A wide T2.8 to T22 aperture range allows for flexible depth of field adjustment within the 71.7° iris rotation. A 2.51′ minimum focus distance can be adjusted with the focus ring and its 210° rotation. The lens has a cine-style design with 0.8 MOD focus and aperture gears, 85mm front diameter, and 82mm filter thread.

Features at a Glance

T2.8 to T22 aperture range
2x anamorphic with silver flaring
85mm front diameter, 16-blade aperture
82mm filter thread
210° focus rotation, 71.7° iris rotation
2.51′ minimum focus distance

BLAZAR LENS CATO 125mm T4.0 Full Frame 2x Anamorphic Lens (ARRI PL)

Capture a cinematic widescreen look using this BLAZAR LENS CATO 125mm T4.0 Full Frame 2x Anamorphic Lens with your ARRI PL mount compatible camera. This anamorphic lens supports full frame capture for a 2x de-squeezed image with silver flaring. The 16-blade aperture produces a smooth, rounded bokeh. A wide T4.0 to T22 aperture range allows for flexible depth of field adjustment within the 83.5° iris rotation. A 2.6′ minimum focus distance can be adjusted with the focus ring and its 210° rotation. The lens has a cine-style design with 0.8 MOD focus and aperture gears, 85mm front diameter, and 82mm filter thread.

Features at a Glance

T4.0 to T22 aperture range
2x anamorphic with silver flaring
85mm front diameter, 16-blade aperture
82mm filter thread
210° focus rotation, 83.5° iris rotation
2.6′ minimum focus distance

The post CATO Full-Frame 2x Anamorphic 4-Lens Set PL-Mount appeared first on Utopia.

S4i T2/21mm

01675619232amit — Sun, 16 Jun 2024 14:22:16 +0000

S4 Prime Lenses were designed and developed in close technical collaboration with industry professionals. The S4i optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability.

One of the most popular choice of lenses in the world, the Cooke lenses are famed for their very own ‘look’ for skin tones and adding dimension to the scene.

‘i’ Technology allows lens metadata to be shown on compatible monitors to assist operator and assistant and recorded helping post production and VFX.

The post S4i T2/21mm appeared first on Utopia.